American Painter, 1864-1926 American painter and sculptor. In 1880 he left his upper-class home in St Louis for Montana Territory. He worked briefly on a sheep ranch, spent two years as a hunter's and trapper's assistant and then became a cowboy. During his considerable spare daytime hours he painted, sketched and modelled small animal figures in clay (e.g. Antelope, 1915; Fort Worth, TX, Amon Carter Mus.). Although he painted a few exceptional oils and watercolours prior to 1900, the vast majority of his best work was done in the last two decades of his life. Typically the subject-matter centres around cowboy life (e.g. Wagon Boss, 1909; Tulsa, OK, Gilcrease Inst. Amer. Hist. & A.) and the Plains Indians, for whom he had great respect. The luminous Piegans (1918; Denver, CO, Mus. W. A.), with its depiction of the Plains Indians, is a reminder of the vastness of the American West. Russell's sense of humour and empathy for his subject-matter radiates from his paintings as pleasingly as do the clear colours of the high country. His bronze sculptures (e.g. Buffalo Hunt, 1905; Denver, CO, Mus. W. A.) depict the same dramatic and tension-packed themes as his paintings.  Related Paintings of Charles M Russell :. | The Buffalo hunt | Innocent Allies | The Medicine Man | The Buffalo Herd | Smoke of a .45 |
Related Artists:
JORDAN, Esteban
Spanish painter/sculptor (1534-1600)
Guillaume Seignac
He was born in Rennes, France, in 1870, and died in 1924. He started training at the Academie Julian in Paris, where he spent 1889 through 1895. He had a lot of teachers there, including Gabriel Ferrier, and Tony Robert-Fluery. Tony Robert Fluery was a noted history and genre artist. Gabriel Farrel, on the other hand, had been an awarded Prix de Rome. He had another one named William Bouguereau.
Lodewijk de Vadder
Lodewijk de Vadder (1605, Grimbergen - 1655, Brussels) was a Flemish Baroque landscape painter and engraver. He became a master of Antwerp's Guild of St. Luke in 1628, and learned painting from his father and brothers. He specialized in landscapes with woods, in the manner of his contemporary Jacques d'Arthois and his pupil Lucas Achtschellinck[1]. They are usually referred to collectively as "The Sonian Forest Painters".